By the time I’d left for college I was familiar with the sounds of the Roland TR-909 drum machine. Daft Punk’s Homework (which had been only recently introduced to me) and it’s overt ode to the machine, Revolution 909, were on regular rotation. I could play reasonable emulations of the classic drums through my ROMpler. From the awe-inspiring (and GAS-inducing) liner photos of Fatboy Slim’s You’ve Come a Long Way, Baby I knew what the machine itself looked like. I’d never *seen one, though. Never experienced one…
…Caio Barros was an undergrad studying composition when he began digitizing his professor’s sizable collection of electronic music CDs in 2009. To increase its chances of mass distribution, he converted the collection into a torrent file. But somehow, that torrent disappeared from cyberspace. Now, for the first time, ubuweb is hosting this massive collection of early electronic works in its entirety.
I’ll be adding information about my experience with the Hohner Cembalet both at Phil.tv and Cembalet.com. Current plans are to run through:
• bypassing the footswell switch
• cleaning out the case
• the “found” state of my Cembalet N
• manufacturing “strikers”
I’ve pushed a very rough HTML page to Cembalet.com; if you can get past the spartan appearance a few of those links will send you to some of the information that’s helped me to date.
This is the story of how an unlikely threesome—a girl, a heavy metal band and their fans — pioneered the web at its infancy, bucked the status quo and proved that the Internet wasn’t a fad.
It’s 1994. I’m working at Capitol Records in Hollywood, California.
via What The Hell Was Megadeth, Arizona? — Cuepoint — Medium.
Sure, the x-height changed, the spacing changed, the widths changed, the weight changed and the g changed, but overall? It’s pretty close. After looking at this, I started wondering: Why did it take me over six years to finish this!? To answer that question, I ventured deep into the depths of my hard drive…
via The Development of Balto | Type Supply.