The typeface was, of course, Johnston Sans and, although Eiichi didn’t know it at the time, it was a typeface created by Edward Johnston and unique to the London Underground. It was this typeface that helped motivate him into becoming a typographer and indirectly this that meant when Colin Banks (one of his course assessors and the “Banks” part of Banks & Miles) offered him a job as a typographer post-graduation, he leapt at the chance.
It was also this typeface, Colin Banks told him when he arrived, that Eiichi would be working on. He had been hired to redesign Johnston Sans.
“That morning,” says Eiichi, “was a bit of a shock.”