…Caio Barros was an undergrad studying composition when he began digitizing his professor’s sizable collection of electronic music CDs in 2009. To increase its chances of mass distribution, he converted the collection into a torrent file. But somehow, that torrent disappeared from cyberspace. Now, for the first time, ubuweb is hosting this massive collection of early electronic works in its entirety.
This is the story of how an unlikely threesome—a girl, a heavy metal band and their fans — pioneered the web at its infancy, bucked the status quo and proved that the Internet wasn’t a fad.
It’s 1994. I’m working at Capitol Records in Hollywood, California.
Once you’re able to see this three-song set by the band Johnnyswim, NPR Music will have published exactly 350 Tiny Desk Concerts — so we’ve developed a pretty good sense of when a set will stick in our memories for a while. We intuited, for example, that Adele was about to become a dominant force shortly after she breezed into our offices. (Okay, that didn’t exactly require psychic powers, but still.) In the case of Johnnyswim, the prevailing sense boiled down to, “Boy, we haven’t heard the last of them.”
Impossibly telegenic and charming, husband and wife Abner Ramirez and Amanda Sudano — who formed their band in Nashville before relocating to L.A. — have the booming voices of great street buskers, but also the polished sparkle of natural-born stage performers. Sudano is the daughter of the late Donna Summer, with whom she used to sing backup, but Johnnyswim’s story isn’t one of nepotism or overnight success; the two have been at this together for nearly a decade, and they’ve got the grandiose impeccability to prove it.
In this set, the lovely ballad “Falling for Me” is bookended by songs that could be airdropped onto half the shows on television; if you’re hearing them here for the first time, don’t be surprised if it’s your first exposure of many. Johnnyswim opens this session with “Home” — a sweet rouser that could easily follow in the footsteps of other recent hits with that title — and closes it with a full-band reading of what promises to be its signature song, the title track from the new Diamonds. As Sudano notes here, the song has morphed into “an anthem to ourselves to keep ourselves encouraged.” For Johnnyswim, such pep talks won’t likely be necessary for long. –STEPHEN THOMPSON
This is simply astonishing. Watch twenty seconds and you’ll be sucked into the world of Usman Riaz, an immensely talented 23-year-old Pakistani musician who will change your perception of how a guitar can sound and be played. What’s more remarkable is that this Berklee College of Music whiz kid learned much of his dazzling guitar technique by watching YouTube videos at 16. He also learned what he calls “parlor tricks,” like body percussion and harmonica. But the classically trained pianist also used the Internet to learn how to write and conduct orchestra pieces and make films. If you’re a skeptic, fine, just watch this youngest of TED senior fellows and be dazzled. –BOB BOILEN
Learn more at http://www.usmanriaz.me/
Learn more at Ted.com
Pammel Park is roughly five miles SW of Winterset in Madison County, Iowa. I’ve been intending to walk some of the county’s trails (learn more about what the county has to offer at http://www.madisoncountyparks.org) for a few years now and, with a few days away from the office decided to give it a start. A map of the trail is available at http://www.madisoncountyparks.org/images/stories/TrailMaps/PPark.jpg.
Arguably there’s not a lot of action here, but that’s kind of the point—the trail was quiet save a few birds, squirrels, and deer I happened upon. It was great to get out from behind the desk and out in to the natural world.
The path isn’t very kid-friendly (part of my park/trail exploration is to find fun places around the county to take my three boys) with a few steep ascents and drop offs. Not a problem for an aware adult, but I don’t know that I’d trust my toddlers to safely traverse!
Hypnotic and chant-like, this Christian Carrière composition hums and vibrates with what sounds like a chorus of electronic synthesizers.But that’s not what you’re hearing. It’s actually all a “no-input mixer” – a rig that makes use of controlled feedback rather than any other source of sound. It is, as Montreal-based composer Christian describes it, the sound of the circuits inside the mixer singing. And while you may associate feedback with angry distortion, here it’s beautifully tranquil, the rich tones of the circuitry themselves transformed into oscillators. The patterns and layers are all made with a looper.